Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;  Related Paintings of Camille Pissarro :. | Portrait | Sunsets | Morning,winter sunshine,frost the Pont-Neuf,the Seine,the Louvre | Yun-hay carriage | Snow housing |
Related Artists:
Fedor Vasilyev
painted Dawn in St. Petersburg
Isaac Oliver
French-born English Miniaturist, ca.1560-1617 was a French-born English portrait miniature painter. Born in Rouen, he moved to London in 1568 with his Huguenot parents Peter and Epiphany Oliver to escape the Wars of Religion in France. He then studied miniature painting under Nicholas Hilliard; and developed a naturalistic style, which was largely influenced by Italian and Flemish art. He later married Sara, daughter of the well-known portrait painter Marcus Gheeraerts the Elder (c. 1520 ?C c. 1590) and his wife Susannah de Critz in 1602 after his first wife, Elizabeth, had died in 1599 ?C the mother of his eldest child: Peter Oliver, who was also a famous "limner". Susannah was the daughter of Troilus de Critz, a goldsmith from Antwerp, and close relative of John de Critz, the Queen's Serjeant-Painter. She was also the older sister or cousin of Magdalen de Critz who married Marcus Gheeraerts the Younger (1562 ?C 1635). After the death of Elizabeth I, he became a painter of James I's court,
Romanoz Gvelesiani
painted A Kakhetian man with a jar in 1883